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Showing posts from 2014

Comparing Yourself to Others? Feelings of Inadequacy? Making no money? Don't despair- we've all been there!

Maybe the title of this post was enough for you to already shake your head in acknowledgement of what I mean. Perhaps you know the scenario all too well yourself: you practice your music day in and day out (mostly alone and sometimes on a rare occasion with a teacher or with colleagues/friends), and eventually you get curious or bored (whatever the case, depending on the day) and decide to see how you 'measure up' to other musicians who are in your field (singing your same genre, having your same voice type, playing your same instrument....you get the picture). BAM! Before you know what's hit you, you've listened to several media samples on scarily-good-looking websites from people with whom you're kind of in direct competition (again: you are in the same genre, they have your same voice type, you play the same instrument, etc..) and you're feeling pretty bad about yourself and your musical progress in comparison to what you just heard/saw. The worst part is t…

Opera Is NOT A Tool for Rich People to Look Good

The title of this post may have already resonated with you, but I was so moved by reading another article that I found in Opera America's Newsletter (yes, again!), that I felt I needed to share more details.  Perhaps you yourself have read the article (called "Amid Choruses of Despair, An Aria of Hope" in the New York Times) already?

At any rate, it might have been obvious to you too that this article was a good one, though it brought up a practice that is all too common among Opera fans who mean to do something good for the art form.  For those of you who haven't read the article, it basically talks about the great resurrection of the San Diego Opera, which is back up and running and indeed hasn't been sucked into the abyss with other opera companies that are no longer existing. To this I say- wonderful! A triumph! Another established and important cultural bastion is saved! However, the author goes on to examine some of the problems that were contributing to t…

The Hard Reality of What It 'Takes' to Become an Opera Singer in Today's Business

So earlier today I read this article titled "So You Want to Be An Opera Singer" on Huffington Post, which I saw advertised in Opera America's Newsletter.  Even though I had never heard of the article's author, I thought to myself, "That's no big deal- this field is huge! Maybe he has something really helpful to say." Well, I was way off!  And utterly disappointed after reading the article, I might add.

The reason why I am taking up your time and mine right now to write a post about said article must make you wonder though, right? Of course. The answer as to why I'd choose to examine such a generalized piece of journalism such as this is because I simply can no longer stand idly by and do nothing as I have in the past. Previously I may have believed that because I was "still a student" or "hadn't gotten my first meaningful and noteworthy professional gig yet" meant that I wasn't qualified to talk about these subjects with…

WHAT'S YOUR (Audition Sung:Hired for Performance) RATIO?

So, to start this off, a small ironic anecdote for your enjoyment!
I was recently reading an interview with Joyce Di Donato in the September Issue of Concerti (I think it's solely a German publication-not sure- don't shoot me if I'm wrong) where she said something akin to it being tough for her when she first got to Europe because she did 13 auditions and only got hired for 1 of them. It was at this point where I laid the magazine down and thought "Sheesh! If only that were my ratio!!! It would be a heck of a lot better than only 2 auditions in this past year's time and 0 hires." I picked the magazine back up, read a bit further and found surprisingly that my reaction was incorrect (apparently) because Joyce was seriously distressed about this 13:1/failure:success ratio. It even made her stop and completely re-evaluate her approach to discover what she could do better.

Now, does this all seem a bit silly to you? Do you find yourself thinking the same thing t…

Musical Christmas Cheer: Seeing the Hannover Knabenchor at the Essener Philharmonie

Did you ever wonder what sorts of things make the holidays cheerful and bright? Perhaps you have a favorite tea, or cookie, or evening ritual which is sacred to you that brings just the right amount of coziness to your Advent season.  Though, I'd bet anything that music is one aspect of your holiday atmosphere that you simply couldn't go without.  I mean, at the first sound of "Jingle Bells" on the radio most people get in the Christmas spirit.

Now, I'm certainly not a classical music snob, and I thoroughly appreciate all of the popular secular Christmas songs that are out there, but the sound of a Christmas Carol sung by a children's choir is, to me, the pinnacle of all of Christmas' musical incarnations.  Therefore it was only fitting that my well-informed Boyfriend purchased tickets for us to attend the recent Christmas concert performed at the Essener Philharmonie (Philharmonic in Essen, Germany) by the Hannover Knabenchor (Hannover Boys Choir) and t…